What Muybridge contributed
Eadweard Muybridge’s sequential photographs of animal motion in the 1870s and Étienne-Jules Marey’s chronophotographic systems analysed movement before stable commercial cinema. Flexible photographic film, intermittent transport mechanisms, reliable cameras and viewing or projection systems emerged through overlapping work by Eastman, Edison’s.
Why it mattered
Preserves visible change as replayable, editable and distributable sequences.
Where this fits in ITEM
Sources and further reading
- Art Imitates Life: The Surprising Origins of Motion Capture
National Science and Media Museum
- Celluloid and Photography, Part 3: The Beginnings of Cinema
National Science and Media Museum
- Film and Attraction: From Kinematography to Cinema
André Gaudreault · 2011
- In the Beginning: Cinema’s Murky Origin Story
British Film Institute
- Living Pictures: The Origins of the Movies
Deac Rossell · 1998
- Shift to Projectors and the Vitascope
Library of Congress
- The Emergence of Cinema: The American Screen to 1907
Charles Musser · 1990
- The Great Art of Light and Shadow: Archaeology of the Cinema
Laurent Mannoni · 2000