Person

Shen Kuo

Shen Kuo is associated with the development of Movable type in East Asia. Shen Kuo’s 11th-century account describes Bi Sheng making individual characters from baked clay, arranging them on an iron plate and using multiple formes to alternate between composition and printing.

Period
See contribution history
Known for
Movable type in East Asia
Historical contribution

What Kuo contributed

Shen Kuo’s 11th-century account describes Bi Sheng making individual characters from baked clay, arranging them on an iron plate and using multiple formes to alternate between composition and printing. Wang Zhen later described wooden type and a rotating type table for sorting and retrieval. Korean printers developed bronze and other metal type traditions; the 1377 Jikji is the oldest surviving book printed with movable metal type, not.

Why it mattered

Makes printed pages locally revisable and character units reusable.

Connected topics

Where this fits in ITEM

Evidence

Sources and further reading

  1. Baegun hwasang chorok buljo jikji simche yojeol:

    UNESCO Memory of the World

    Open source ↗

  2. Dream Pool Essays, movable type account translated in Tsien Tsuen-Hsuin, Science and Civilisation in China, Vol. 5 Part 1:

    Shen Kuo

    Open source ↗

  3. Jikji Memory of the World Prize and historical overview:

    Jikji Memory of the World Prize and historical overview:

    Open source ↗

  4. Printing and movable type in East Asia: Movable type transformed the page from a durable carved object into a temporary arrangement of reusable signs. That improved correction and recombination, but only by creating a demanding inventory system. Every character had to exist in sufficient quantity, occupy a known location, maintain printing height and return home after use. East Asian history makes the topic analytically valuable because it defeats technological inevitability. Movable type did not automatically erase woodblocks, and its social consequences were not prewritten inside the invention. Script, genre, patronage, labour, run size, image requirements and reprint strategy determined the balance. The true system was therefore larger than the sort. It included repertoire design, storage, retrieval, composition, proofing, impression and distribution back into inventory. This is the first printing technology in the map whose central bottleneck resembles a database query: the page can be recomposed only when the system can find the signs it knows it owns

    Columbia University Asia for Educators

    Open source ↗

  5. The Rise of Printing in Medieval East Asia:

    Oxford Research Encyclopedia

    Open source ↗